She’s got it, Yeah baby, she’s got it ---Shocking Blue For 1570s and 1580s theatregoers, love was all around. One of the defining characteristics of the earliest surviving commercial plays is the predominance of the character Venus or her allegorical equivalent, Love. “Theaters and curtaines Venus pallaces,” reads a marginal note in Philip Stubbes’s The … Continue reading Venus’s Palaces
Month: October 2017
Attribution, agencies, and investigation
We welcome a guest post from Leah Scragg, responding to this summer's discussion of attribution on the blog (see here). *** This post joins a very interesting discussion of attribution studies somewhat late in the day but I would like to put forward a couple of ideas in relation to the question of why attribution … Continue reading Attribution, agencies, and investigation
Before Shakespeare 