The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare's Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast members and ask them how it felt to play gods, Nature, men, and women on the Sam Wanamaker stage … Continue reading The Woman in the Moon: Interviews with the Cast

The Sound of Lyly: Galatea Interview

We recently had a chance to interview Vicky Abbott, the musical lead on Emma Frankland's Galatea project, and we asked her what it was like writing music for a sixteenth-century play in a modern production.  We feature here some of Vicky's brilliant recordings (©Vicky Abbott) along with choreographed responses to songs that have been crucial … Continue reading The Sound of Lyly: Galatea Interview

Performing words: introduction to a new thread on theatre and language

This series of posts explores some of the issues raised in our first project publication, the Forum in Shakespeare Studies 45 (2017) devoted to 1580s drama. We are grateful to Diana Henderson and James Siemon for allowing us the opportunity to publish these essays in their journal. When we think of playhouses, or of theatres (or … Continue reading Performing words: introduction to a new thread on theatre and language

Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Who visited the Elizabethan playhouses? What did it mean to have non-English characters being played on stage? What does dramatic engagement with issues of immigration, identity, and belonging tell us about sixteenth-century theatre? Earlier this month we tackled these questions at a collaborative workshop hosted by TIDE project, Before Shakespeare and the Dolphin’s Back. This … Continue reading Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance