I had the enormous privilege of seeing Julius Caesar last night at London's newest theatre. It's one of the greatest Shakespeare productions I've ever seen: visceral, violently physical, exuberantly political but also jewelled with exquisite details. A few newspaper reviews have said that because the show is loud and frenetic it is therefore not terribly subtle. They … Continue reading ‘I do fear the people’: theatre and the problem with audiences
One of the best-known disputes in popular conversation around Shakespeare is the question of who wrote his work. After all, someone must have written it, so it stands to reason that we need to find out who that someone was, and buy them congratulatory cake. One of the foremost candidates for the authorship of Shakespeare's … Continue reading Did Oxford write Shakespeare?
Edward's Boys' Director, Perry Mills, introduces their latest production, in collaboration with Before Shakespeare, John Lyly's The Woman in the Moon. To read about Edward's Boys in rehearsal at our conference in August 2017, read Perry's companion piece on our site. Now that Autumn and even Winter have been and gone – although Back-Winter appears to … Continue reading “Fly me to the moon!”
We are delighted to present a guest post from Perry Mills, the director of Edward's Boys (a theatre group from King Edward VI school, Stratford-upon-Avon, where he is also Deputy Head). Edward's Boys are soon to be performing The Woman in the Moon on several dates across the country. Perry has also blogged on our site … Continue reading In the Company of Edward’s Boys: Nashe’s Summer’s Last Will and Testament
This post is part of a series on theatrical words. For an introduction to the series, see Performing words: introduction to a new thread on theatre and language. A short post from me today, but I hope an engaging and topical one as we celebrate the 100th anniversary of the right to vote for some women … Continue reading Performing words #4: gender
This post is part of a series on theatrical words. For an introduction to the series, see Performing words: introduction to a new thread on theatre and language. This particular post makes available Andy Kesson's paper for Miranda Fay Thomas and Evelyn Tribble's Shakespeare Association of America seminar on gesture. Andy would like to thank his seminar … Continue reading Performing words #3: thus and thus