‘I do fear the people’: theatre and the problem with audiences

I had the enormous privilege of seeing Julius Caesar last night at London's newest theatre. It's one of the greatest Shakespeare productions I've ever seen: visceral, violently physical, exuberantly political but also jewelled with exquisite details. A few newspaper reviews have said that because the show is loud and frenetic it is therefore not terribly subtle. They … Continue reading ‘I do fear the people’: theatre and the problem with audiences

In the Company of Edward’s Boys: Nashe’s Summer’s Last Will and Testament

We are delighted to present a guest post from Perry Mills, the director of Edward's Boys (a theatre group from King Edward VI school, Stratford-upon-Avon, where he is also Deputy Head).  Edward's Boys are soon to be performing The Woman in the Moon on several dates across the country.  Perry has also blogged on our site … Continue reading In the Company of Edward’s Boys: Nashe’s Summer’s Last Will and Testament

Performing words #3: thus and thus

This post is part of a series on theatrical words. For an introduction to the series, see Performing words: introduction to a new thread on theatre and language. This particular post makes available Andy Kesson's paper for Miranda Fay Thomas and Evelyn Tribble's Shakespeare Association of America seminar on gesture. Andy would like to thank his seminar … Continue reading Performing words #3: thus and thus