what’s the matter? This post follows up some of the points raised by Andy in his discussion of “story” and early modern theatre as part of his Performing Words series. Here, I suggest that the term “matter” might afford a more historically nuanced—and appropriate—vocabulary for thinking about the intersection of “story,” words, and performance. the … Continue reading Performing words #6: matter
Month: March 2018
The Woman in the Moon: In Conversation with Edward’s Boys
It’s Friday, and we’re hurrying across London Bridge in the rain towards a part-carpeted Methodist Church in London’s Eastcheap: that Elizabethan-sounding nook somewhere loosely between Crutched Friars and Leadenhall (more Tudor echoes). We settle in to observe how woman was first created. Not Genesis 1:27 or 2:22, though. John Lyly’s Pandora. Again, sheltered from the … Continue reading The Woman in the Moon: In Conversation with Edward’s Boys
Women in the Moons
Last year I saw Dolphin's Back's Woman in the Moon; last night I saw Edward's Boy's Woman in the Moon. This is presumably the first time in history anyone has been able to see multiple Women in the Moons, and we're very grateful to both companies for sharing their work with us on this play. It's … Continue reading Women in the Moons
Performing words #5: story
This post is part of a series on theatrical words. For an introduction to the series, see Performing words: introduction to a new thread on theatre and language. How much do we think about stories when we read, perform, produce, watch or study early modern plays? How aware are we of the decisions being made by … Continue reading Performing words #5: story
