Adeola Ogunbadewa is a research intern at the School of English at the University of Kent, where she is going into her final year reading for a BA in Spanish and Religious Studies. She has been working on a project to develop a timeline of play events and performances at the Curtain playhouse. The Curtain, in … Continue reading Repertory and Reputation at the Curtain
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It Was the Summer of ’79, at the Curtain Playhouse
It’s recently proved effective for critics and historians to conjure a thick cultural history by concentrating on one particular year (e.g. 1611; 1606…). Even the arguably patchier nature of theatre history has lent itself to studies concentrated on a specific date: think, for instance, James Shapiro’s entertaining account of the Globe, 1599. Writing a Year-in-a-Playhouse … Continue reading It Was the Summer of ’79, at the Curtain Playhouse
Christmas, Newyeares tyde: A summary of works done and attendance given, 2018
The Elizabethan Office of the Revels begins an important section of its yearly account books headed "Christmas, Newyeares tyde, & Twelfetyde" with descriptions of "Woorkes doone & Attendaunce geven Abowte the new making, Translating, ffytting, ffurnishing, garnishing, setting owte & Taking in againe, Making cleane & safe bestowing of sundry kyndes of Apparell properties, ffurniture, & … Continue reading Christmas, Newyeares tyde: A summary of works done and attendance given, 2018
Engendering Before Shakespeare: Women and Early English Playhouse Ownership
This post also features on Engendering the Stage, a research project with which we are in dialogue that explores women, gender, and performance in early modern Europe. Stay tuned for project blog posts from Engendering the Stage in the coming weeks! The crossovers between the research projects Before Shakespeare and Engendering the Stage were raised several … Continue reading Engendering Before Shakespeare: Women and Early English Playhouse Ownership
Resurrecting All Hallows and Reanimating Henry Walton
Callan Davies explores some work-in-progress for a paper at the Shakespeare Association of America conference next spring for the "Tudor Performance: Contexts, Traditions, Afterlives" seminar, convened by Jessica Winston. One of my favourite horror film tropes is when a beleaguered resident of an old house, stricken with fear, rushes to the local library to trawl through … Continue reading Resurrecting All Hallows and Reanimating Henry Walton
Before Shakespeare at The National Archives (The Theatre)
This post also appears on The National Archives blog. BOOK FOR OUR TALK AT THE NATIONAL ARCHIVES, 1 AUGUST, HERE Tucked away somewhere in the temperature-controlled archival store rooms of The National Archives is an equity suit in the Court of Exchequer that records a series of trespass complaints. This suit seems unremarkable, if a little complex: … Continue reading Before Shakespeare at The National Archives (The Theatre)
The Before Shakespeare Guide to [The] Theatre Etiquette
[Come and behave (well?) with these tips in mind at our upcoming event on the Curtain playhouse at hackney House on 21 July.] Just as writers in twenty-first century New York have opinions on how other people should behave in theatre spaces, so early modern London has its fair share of advice to spectators. Whether … Continue reading The Before Shakespeare Guide to [The] Theatre Etiquette
The Curtain Rises (21 July 2018)
On 21 July, we and MOLA, The Stage, and The Dolphin's Back will explore the history and future possibilities for the Curtain playhouse with a public audience at Hackney House. Tickets are available on Eventbrite. The Curtain is one of the earliest playhouses of the Elizabethan period, open by 1577, discovered in 2011, and excavated … Continue reading The Curtain Rises (21 July 2018)
Losing the Plot: Audiences, Scraps of Performance, and Selective Participation
Further to Andy’s post on story, this post asks questions about the nature and necessity of coherent “story”—and of audiences following “plot”—in early modern commercial dramatic performance. It does so by putting literary and archival material into conversation with archaeological discoveries, and as such I'm thankful to Heather Knight of MOLA (Museum of London Archaeology) … Continue reading Losing the Plot: Audiences, Scraps of Performance, and Selective Participation
The First Blackfriars: A Workshop Reflection
On Sunday, we, the Dolphin’s Back, and a room-full of participants were lucky enough to see the history of the Blackfriars and the First Playhouse brought to life on the very spot on which it once stood. Thanks to the Society of Apothecaries, London, we were able to stage the leases, drama, court quarrels, and … Continue reading The First Blackfriars: A Workshop Reflection
