Performing words: introduction to a new thread on theatre and language

This series of posts explores some of the issues raised in our first project publication, the Forum in Shakespeare Studies 45 (2017) devoted to 1580s drama. We are grateful to Diana Henderson and James Siemon for allowing us the opportunity to publish these essays in their journal. See below for links to the full series. When … Continue reading Performing words: introduction to a new thread on theatre and language

Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Who visited the Elizabethan playhouses? What did it mean to have non-English characters being played on stage? What does dramatic engagement with issues of immigration, identity, and belonging tell us about sixteenth-century theatre? Earlier this month we tackled these questions at a collaborative workshop hosted by TIDE project, Before Shakespeare and the Dolphin’s Back. This … Continue reading Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Audiences, Immigration, and Belonging: Strangers in Finsbury

On the 19th November 2017, the TIDE project and Before Shakespeare are hosting a workshop exploring the diverse audiences of Elizabethan playhouses and their surrounding neighbourhoods, based at the University of Liverpool’s London campus, 33 Finsbury Square. Working with The Dolphin’s Back, we will be looking at a range of plays, archival documents, diaries, and … Continue reading Audiences, Immigration, and Belonging: Strangers in Finsbury

Shakespeare in Scraps: Halliwell-Phillipps and Theatre History

This is the first of two posts thinking about theatre history through particular theatre historians.  Lucy Munro's blog on the Wallaces follows as a companion piece. *** James Orchard Halliwell-Phillipps was among the most prominent book collectors and Shakespearean scholars of Victorian England. Halliwell-Phillipps’s (HP’s) biography of Shakespeare, initially published in 1848 and revised throughout his … Continue reading Shakespeare in Scraps: Halliwell-Phillipps and Theatre History