Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Who visited the Elizabethan playhouses? What did it mean to have non-English characters being played on stage? What does dramatic engagement with issues of immigration, identity, and belonging tell us about sixteenth-century theatre? Earlier this month we tackled these questions at a collaborative workshop hosted by TIDE project, Before Shakespeare and the Dolphin’s Back. This … Continue reading Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Audiences, Immigration, and Belonging: Strangers in Finsbury

On the 19th November 2017, the TIDE project and Before Shakespeare are hosting a workshop exploring the diverse audiences of Elizabethan playhouses and their surrounding neighbourhoods, based at the University of Liverpool’s London campus, 33 Finsbury Square. Working with The Dolphin’s Back, we will be looking at a range of plays, archival documents, diaries, and … Continue reading Audiences, Immigration, and Belonging: Strangers in Finsbury

The Three Ladies of London and Red Lion workshop, 22 January 2017

Our first workshop with The Dolphin's Back took place yesterday (22 January 2017), exploring the earliest surviving play from English commercial theatre on the site of the earliest purpose-built commercial playhouse. Exactly 450 years after John Brayne sought to "frame, make, or build and set up . . . within the court or yard lying on … Continue reading The Three Ladies of London and Red Lion workshop, 22 January 2017