An Elizabethan Haunting: Antitheatricality and Playgoing

A haunted theatre these days is a perfect premise for a horror film. It is also, apparently, a backstage reality at a prominent West End venue, the Theatre Royal, Drury Lane—perhaps because it is the oldest surviving and functioning theatre construction in England. There are, of course, old superstitions about the Scottish Play and worries … Continue reading An Elizabethan Haunting: Antitheatricality and Playgoing

Putting the Shh into Shakespeare

In our first blog post I raised the question of the defining characteristics of the sixteenth and seventeenth century playhouses: their sheer number, their architectural and performance function, their attempts to capitalise on the art of theatre, and most crucially the way they were the product of working people as financiers, artists and core audience. … Continue reading Putting the Shh into Shakespeare