Disclaimer: this post will be a grossly incomplete summary of a tremendously rich and engaging panel "Metre and Repertory", which was so full of fascinating facts and questions that I cannot do them justice here.  
Our fourth panel had a wonderful coherence to it, with all four papers complementing each other in fascinating and provocative ways.
Theatre history isn’t what it used to be.
The first panel of Before Shakespeare kicked off with four fantastic papers that set the tone and the agenda perfectly by opening up underexplored yet fundamental areas of the sixteenth-century performance industries.
Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun.