We’re incredibly excited to be presenting the world premiere of Emma Frankland’s Galatea, commissioned by and as part of Brighton Festival, from the 5-21 May, 2023.
This weekend would have seen our first workshop on wrestling, gender and entertainment.
For this piece, I’ll be spending a year in the young Curtain playhouse as it makes its way into the brave new decade of 1580s.

In this piece, Jessica Winston and Emma Whipday discuss their upcoming work.

I got to see Michael Boyd's production of Tamburlaine last night, a show that focuses as much on the plays' verse as it does on their violence. The production has the most extraordinary and urgent verse speaking I think I've ever heard: fast, fluent and often underscored by the band's rhythmical beat.
On Saturday 21st, we enjoyed seeing the puffed-up knight Huanebango being struck down by a disembodied voice, entering a sixteenth-century smoking area, meeting the cosmopolitan neighbours of 1580s Shoreditch, and learning how to use a sword and buckler...