CONFERENCE Panel: Marlowe

by Kim Gilchrist The conference’s special panel on Christopher Marlowe offered a range of approaches to Marlowe’s plays, but all three highlighted themes of subjugation and violence, perhaps hinting at factors that made Marlowe’s plays so shocking and influential when first performed. Nicole Mennell’s paper, “Horsemanship and Governance in Tamburlaine the Great Parts I and … Continue reading CONFERENCE Panel: Marlowe

Before Conference (and The Woman in the Moon)

Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun. This short post reflects on some of the issues … Continue reading Before Conference (and The Woman in the Moon)

Genre and the Elizabethan Troupe

We are very happy to present below a guest post from Elizabeth E. Tavares (Pacific University Oregon) on genre and the Elizabethan troupe. *** What I find most pressing about Andy Kesson’s post, “Generic excitement,” are his methodological queries: how does genre organize our scholarship? To what extent do we implicitly rely on this typology as an “interpretive precondition”? … Continue reading Genre and the Elizabethan Troupe

Shakespeare: A knack for following theatrical fashion

Venice. Two faithful friends are pitted against a vengeful moneylender who is out for blood. In a climactic trial scene they proclaim their willingness to die for each other; the moneylender’s revenge rebounds against him when a woman outwits him, and in a further twist of the knife his daughter ends up married to a … Continue reading Shakespeare: A knack for following theatrical fashion