The Before Shakespeare Guide to [The] Theatre Etiquette

[Come and behave (well?) with these tips in mind at our upcoming event on the Curtain playhouse at hackney House on 21 July.] Just as writers in twenty-first century New York have opinions on how other people should behave in theatre spaces, so early modern London has its fair share of advice to spectators.  Whether … Continue reading The Before Shakespeare Guide to [The] Theatre Etiquette

The Woman in the Moon, Edward’s Boys: Review by Leah Scragg

We are thankful to Leah Scragg for her review, here, of Edward's Boys' The Woman in the Moon (8-11 March 2018). You can read the director, Perry Mills, on the production elsewhere on our site, and we also have interviews with the cast. *** Edward’s Boys, under the direction of Perry Mills, might well be said to … Continue reading The Woman in the Moon, Edward’s Boys: Review by Leah Scragg

Losing the Plot: Audiences, Scraps of Performance, and Selective Participation

Further to Andy’s post on story, this post asks questions about the nature and necessity of coherent “story”—and of audiences following “plot”—in early modern commercial dramatic performance. It does so by putting literary and archival material into conversation with archaeological discoveries, and as such I'm thankful to Heather Knight of MOLA (Museum of London Archaeology) … Continue reading Losing the Plot: Audiences, Scraps of Performance, and Selective Participation

Performing words #6: matter

what’s the matter? This post follows up some of the points raised by Andy in his discussion of “story” and early modern theatre as part of his Performing Words series. Here, I suggest that the term “matter” might afford a more historically nuanced—and appropriate—vocabulary for thinking about the intersection of “story,” words, and performance. the … Continue reading Performing words #6: matter

The Woman in the Moon: In Conversation with Edward’s Boys

It’s Friday, and we’re hurrying across London Bridge in the rain towards a part-carpeted Methodist Church in London’s Eastcheap: that Elizabethan-sounding nook somewhere loosely between Crutched Friars and Leadenhall (more Tudor echoes). We settle in to observe how woman was first created. Not Genesis 1:27 or 2:22, though. John Lyly’s Pandora. Again, sheltered from the … Continue reading The Woman in the Moon: In Conversation with Edward’s Boys

“Fly me to the moon!”

Edward's Boys' Director, Perry Mills, introduces their latest production, in collaboration with Before Shakespeare, John Lyly's The Woman in the Moon.  To read about Edward's Boys in rehearsal at our conference in August 2017, read Perry's companion piece on our site. Now that Autumn and even Winter have been and gone – although Back-Winter appears to … Continue reading “Fly me to the moon!”

The First Blackfriars Playhouse 1576-84: Ownership, Repertoire, Audience

On the 18th February, Before Shakespeare and The Dolphin's Back will return Elizabethan drama to the site of the First (and Second) Blackfriars Playhouse(s).  We are hosting a workshop in the Apothecaries' Hall, built on what was formerly part of the Blackfriars complex that housed the two different playhouses (where we'll focus on the First … Continue reading The First Blackfriars Playhouse 1576-84: Ownership, Repertoire, Audience