The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare's Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast members and ask them how it felt to play gods, Nature, men, and women on the Sam Wanamaker stage … Continue reading The Woman in the Moon: Interviews with the Cast

The Sound of Lyly: Galatea Interview

We recently had a chance to interview Vicky Abbott, the musical lead on Emma Frankland's Galatea project, and we asked her what it was like writing music for a sixteenth-century play in a modern production.  We feature here some of Vicky's brilliant recordings (©Vicky Abbott) along with choreographed responses to songs that have been crucial … Continue reading The Sound of Lyly: Galatea Interview

Galatea in Cornwall: Finding Gods in Truro

For this week's R&D workshops, Emma Frankland and Mydd Pharo are joined by Kellan Frankland, Krishna Istha, Mzz Kimberley, and Nadia Nadarajah in and around Truro (based at the Hall of Cornwall, thanks to their support) for a week looking at Galatea's Gods and their divine interactions: Neptune, Venus, her son Cupid, and Diana and … Continue reading Galatea in Cornwall: Finding Gods in Truro

CONFERENCE RESPONSE: Of God and Jonson: writing about new things and non-events by Mathew Lyons

I was fortunate to be able to attend some of the superb Before Shakespeare conference at Roehampton last week. I came away with a range of thoughts and ideas, some of which I hope to pursue in one form or another. Perhaps the thing that struck me most, however, was Bill Ingram’s opening talk. Ingram … Continue reading CONFERENCE RESPONSE: Of God and Jonson: writing about new things and non-events by Mathew Lyons

Go dare; or, how scholarship lost the plot

Warning: contains plot spoilers 'Nothing happens, nobody comes, nobody goes, it's awful'. These lines were not written to describe the plays of John Lyly, but they would make an effective advertising slogan based on the scholarly consensus on his work. Michael Best was the first to identify the playwright's work as 'Lyly's static drama', an … Continue reading Go dare; or, how scholarship lost the plot

CONFERENCE Panel: Theatre History 3: Metre and Repertory

by Romola Nuttall Disclaimer: this post will be a grossly incomplete summary of a tremendously rich and engaging panel "Metre and Repertory", which was so full of fascinating facts and questions that I cannot do them justice here. Robert Stagg's 'Metre before Shakespeare', contested prevailing orthodoxy of Shakespeare as creator and chief innovator of blank … Continue reading CONFERENCE Panel: Theatre History 3: Metre and Repertory

Before Conference (and The Woman in the Moon)

Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun. This short post reflects on some of the issues … Continue reading Before Conference (and The Woman in the Moon)