The conference’s special panel on Christopher Marlowe offered a range of approaches to Marlowe’s plays, but all three highlighted themes of subjugation and violence, perhaps hinting at factors that made Marlowe’s plays so shocking and influential when first performed.
Disclaimer: this post will be a grossly incomplete summary of a tremendously rich and engaging panel "Metre and Repertory", which was so full of fascinating facts and questions that I cannot do them justice here.  
Our fourth panel had a wonderful coherence to it, with all four papers complementing each other in fascinating and provocative ways.
Theatre history isn’t what it used to be.
The first panel of Before Shakespeare kicked off with four fantastic papers that set the tone and the agenda perfectly by opening up underexplored yet fundamental areas of the sixteenth-century performance industries.