Galatea 101: Performing John Lyly in the 21st Century

Galatea (c.1584) enjoyed some more research and development with actors in August 2021, as it heads towards a production in collaboration with Wildworks, when director Emma Frankland gathered theatremakers at the 101 Outdoor Creation Space (thanks to their seed funding). This post brings together a series of A Bit Lit videos with performers to discuss … Continue reading Galatea 101: Performing John Lyly in the 21st Century

Galatea 101 #2: Nadia Nadarajah and Brian Duffy tell us about performing Diana and directing the show

Nadia Nadarajah and Brian Duffy tell us about their experiences working on the play Galatea, including translations into British Sign Language, exploring the character of the goddess Diana, and using physical communication and visual vernacular. The work forms part of Emma Frankland's production and comes out of a residency at 101 Outdoor Creation Space in … Continue reading Galatea 101 #2: Nadia Nadarajah and Brian Duffy tell us about performing Diana and directing the show

Galatea 101 #1: Emma Frankland and Andy Kesson

This week and next, Galatea is back on its feet once more! Now heading towards a production in collaboration with Wildworks, director and theatremaker Emma Frankland has gathered theatremakers at the 101 Outdoor Creation Space (made possible thanks to their seed funding). In this A Bit Lit feature video, the first of a series of … Continue reading Galatea 101 #1: Emma Frankland and Andy Kesson

Box Office Bears: a new research project on animal-baiting

Box Office Bears has begun! But who were they and what does it mean? We are delighted to announce the start of the £978,319 AHRC-funded project ‘Box Office Bears (BOB): Animal baiting in early modern England’, officially starting today. Over the next three years we’ll be exploring the lives of the animals and people involved … Continue reading Box Office Bears: a new research project on animal-baiting

Performing words #6: matter

what’s the matter? This post follows up some of the points raised by Andy in his discussion of “story” and early modern theatre as part of his Performing Words series. Here, I suggest that the term “matter” might afford a more historically nuanced—and appropriate—vocabulary for thinking about the intersection of “story,” words, and performance. the … Continue reading Performing words #6: matter

The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare's Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast members and ask them how it felt to play gods, Nature, men, and women on the Sam Wanamaker stage … Continue reading The Woman in the Moon: Interviews with the Cast