Christmas, Newyeares tyde: A summary of works done and attendance given, 2018

The Elizabethan Office of the Revels begins an important section of its yearly account books headed "Christmas, Newyeares tyde, & Twelfetyde" with descriptions of "Woorkes doone & Attendaunce geven Abowte the new making, Translating, ffytting, ffurnishing, garnishing, setting owte & Taking in againe, Making cleane & safe bestowing of sundry kyndes of Apparell properties, ffurniture, & … Continue reading Christmas, Newyeares tyde: A summary of works done and attendance given, 2018

Performing words #7: permanent

I'm afraid this blog post will seem especially pedantic and churlish, because it is about the unexpected embedding of a strange word in conversations about early modern theatre history: the word 'permanent'. Theatre history tends to distinguish between playhouses it considers permanent, and those it considers impermanent, despite the fact that no Elizabethan, Jacobean or … Continue reading Performing words #7: permanent

Performing words #6: matter

what’s the matter? This post follows up some of the points raised by Andy in his discussion of “story” and early modern theatre as part of his Performing Words series. Here, I suggest that the term “matter” might afford a more historically nuanced—and appropriate—vocabulary for thinking about the intersection of “story,” words, and performance. the … Continue reading Performing words #6: matter

Performing words #3: thus and thus

This post is part of a series on theatrical words. For an introduction to the series, see Performing words: introduction to a new thread on theatre and language. This particular post makes available Andy Kesson's paper for Miranda Fay Thomas and Evelyn Tribble's Shakespeare Association of America seminar on gesture. Andy would like to thank his seminar … Continue reading Performing words #3: thus and thus

Performing words: introduction to a new thread on theatre and language

This series of posts explores some of the issues raised in our first project publication, the Forum in Shakespeare Studies 45 (2017) devoted to 1580s drama. We are grateful to Diana Henderson and James Siemon for allowing us the opportunity to publish these essays in their journal. See below for links to the full series. When … Continue reading Performing words: introduction to a new thread on theatre and language