Resurrecting All Hallows and Reanimating Henry Walton

Callan Davies explores some work-in-progress for a paper at the Shakespeare Association of America conference next spring for the "Tudor Performance: Contexts, Traditions, Afterlives" seminar, convened by Jessica Winston. One of my favourite horror film tropes is when a beleaguered resident of an old house, stricken with fear, rushes to the local library to trawl through … Continue reading Resurrecting All Hallows and Reanimating Henry Walton

The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare's Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast members and ask them how it felt to play gods, Nature, men, and women on the Sam Wanamaker stage … Continue reading The Woman in the Moon: Interviews with the Cast

CONFERENCE RESPONSE: Reflections on the Before Shakespeare conference by Stephen Purcell

Theatre history is not so much about establishing fact as it is about embracing uncertainty, a dialogue between competing and sometimes complementary narratives. That seemed to be the guiding principle of this stimulating and exhilarating conference, and one of the central arguments of Bill Ingram’s generous and provocative opening keynote. Indeed, the conference had clearly … Continue reading CONFERENCE RESPONSE: Reflections on the Before Shakespeare conference by Stephen Purcell

Before Conference (and The Woman in the Moon)

Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun. This short post reflects on some of the issues … Continue reading Before Conference (and The Woman in the Moon)