The Woman in the Moon: Interviews with the Cast

During rehearsals for James Wallace’s The Dolphin’s Back production of John Lyly’s The Woman in the Moon (Shakespeare's Globe, Sam Wanamaker Playhouse) back in August 2017, we had time to catch up with a few of the cast members and ask them how it felt to play gods, Nature, men, and women on the Sam Wanamaker stage … Continue reading The Woman in the Moon: Interviews with the Cast

Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Who visited the Elizabethan playhouses? What did it mean to have non-English characters being played on stage? What does dramatic engagement with issues of immigration, identity, and belonging tell us about sixteenth-century theatre? Earlier this month we tackled these questions at a collaborative workshop hosted by TIDE project, Before Shakespeare and the Dolphin’s Back. This … Continue reading Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Before Conference (and The Woman in the Moon)

Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun. This short post reflects on some of the issues … Continue reading Before Conference (and The Woman in the Moon)

The Story So Far: First Advisory Board

The Before Shakespeare project held its first Advisory Board meeting earlier this month. These meetings offer the chance to hear thoughts on the project’s progress and to hear suggestions, comments, and advice (it’s in the name!) from the diverse and exciting array of people on the board—medievalists, an archaeologist, and a theatre practitioner and director, … Continue reading The Story So Far: First Advisory Board