For this piece, I’ll be spending a year in the young Curtain playhouse as it makes its way into the brave new decade of 1580s.

This post also features on Engendering the Stage, a research project with which we are in dialogue that explores women, gender, and performance in early modern Europe. Stay tuned for project blog posts from Engendering the Stage in the coming weeks!

 
Callan Davies explores some work-in-progress for a paper at the Shakespeare Association of America conference next spring for the "Tudor Performance: Contexts, Traditions, Afterlives" seminar, convened by Jessica Winston.
This post also appears on The National Archives blog.  
On 21 July, we and MOLA, The Stage, and The Dolphin's Back will explore the history and future possibilities for the Curtain playhouse with a public audience at Hackney House. Tickets are available on Eventbrite.
William Fleetwood was a significant figure in Elizabethan London.