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  • post
  • 1 December 2017
  • in Events, Performance, Theatre History
  • by Haig Smith and Callan Davies

Audiences, Immigration and Belonging in Elizabethan Theatres: Putting the archive into performance

Who visited the Elizabethan playhouses? What did it mean to have non-English characters being played on stage? What does dramatic engagement with issues of immigration, identity, and belonging tell us about sixteenth-century theatre?
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