Thomas Nashe

Just as writers in twenty-first century New York have opinions on how other people should behave in theatre spaces, so early modern London has its fair share of advice to spectators.

We are delighted to present a guest post from Perry Mills, the director of Edward's Boys (a theatre group from King Edward VI school, Stratford-upon-Avon, where he is also Deputy Head).  Edward's Boys are soon to be performing The Woman in the Moon on several dates across the country.  Perry has also blogged on our site about this forthcoming production.

Our conference is coming up later this month, and we’re looking forward to the range and diversity of papers, conversations, and performance work that will be descending upon South West London in what we’re all confident will be a rare weekend of British Bank Holiday sun.

This is the second of three blogs on attribution. See Shakespeare, attribution and attrition: at tribute zone and Let me speak to you about my huge words for more.